Janice Dickinson And Watching Grass Grow

In season four, episode five of The Janice Dickinson Modeling Agency, it became unquestionably clear how dull the show has become and how different this season is from previous ones in its lack of any enticement for tuning in each week. Gone are the risque images of homoerotic bare man booty. Nearly gone is Janice's shredding of the models' dignity and view of their self-worth. The result is that all goodness and no butt shots makes Janice a very dull girl.

In past seasons, there was the constant bickering between Janice and her ex-business partner Peter Hamm that would inject drama and friction into every episode. Now the show has to bring back Brian Kehoe repeatedly in a series of brief and mildly sad debasements of its former supporting star supplicating to Janice for forgiveness and Janice coldly denying clemency. The second time this occurred in this episode, Kehoe stood outside the model house, staring at the door, just waiting for something to happen. How like the experience of viewers this season.

We used to be able witness Janice ripping into the models and telling them how bad she thinks they are. Now we see her being all sweetness and light, as she was when she counseled Paul Vandervort about his concerns with being too short and not being selected by clients. The old Janice would have told Paul to get taller or get out. Now Mama Janice hugs and says everything is going to be okay. Miss Dickinson has become Mrs. Rodgers.

On the show's storylines, I haven't gone along with others' views that everything on this show is made-up but it's getting harder to resist that conclusion. When Kehoe showed up at the TINte Cosmetics shoot, you could easily imagine hearing a director tell Xian Mikol to experiment speaking her line in different ways. To herself, she said: "Why is he here? WHY is he HERE?" To Crystal Trueheart, "Why is he HERE?" To Kehoe, "Why are YOU here?" Hey Xian, one more time, with feeling.

A second contrived event was Nathan Romano from Ed Hardy showing up out of the blue at the model house with his photographer Steven Barston. No appointment, not believable. It appears to have been done to create a gag of Sorin Mihalache shutting the door in their face and making them wait while Janice runs through the house telling her models to clean up. Too cliche.

As I stated last season, I like Nathan Romano, and it is nice to see that he agreed with my comments on how good Payton Brady wore his company's underwear. Unfortunately, the photoshoot this episode lacked the spark and excitement of the Miami runway show. The wearing of two layers of underwear by the models during the photoshoot aptly reflected the tone of everything: safe and bland and suitable for families. Even having Traci Moslenko topless was mitigated by having Payton Brady immediately call his girlfriend to confess and state how pure the event actually was. More interesting would have been to see Payton visit a chiropractor to have his back looked at every having well-rounded Traci jump into his arms.

Strangely, the history quiz led by Janice's daughter Savannah ended up being the best part of the episode. It wasn't very entertaining, but it did allow viewers who learned something from it not to feel like they had completely wasted an hour of their life.

On the other hand, it looks like the show's producers believe their viewers must be somewhat slow witted. They have Martin Ritchie, as the quiet observer, give a inside summary of who on the show is flirting with whom, just in case the viewers couldn't quite comprehend what they had just seen where the models explicitly stated who they were interested in. With that kind of analysis, is there anything left for me to do?

Janice Dickinson And The B Word

In season four, episode four of The Janice Dickinson Modeling Agency, it was all about the B words, plural, and surprisingly none of them apply to Janice.

At the beginning of the episode J.P. Calderon lectured Brian Kehoe about his bad behavior after Kehoe had been kicked out of the model house by Janice. Referring to the way he spoke to Kehoe, J.P. said "I just lost it," although if the subject hadn't been booze and blow you might compare J.P.'s demeanor to Mr. Rodgers teaching a child about sharing or respecting other people's feelings.

J.P. as teacher, father confessor, and saint-in-residence can be a nice character, as it is good to have positive gay figures, but having both him and puppy dog sweet Martin Ritchie as the models that are gay on the show doesn't leave room for having a bed-hopping man-whore model who ends up getting with every guy in the agency. That would be a nice character to watch on the show also. At least the beatified J.P left the door open a crack by telling Kehoe he wanted to be his "[f'ing] friend".

Question: does anyone else think that Janice's watching her spy tv monitors with her hair stylist Duke is just a little too much like the Witch of the East and her chief flying monkey watching Dorothy and her friends through the crystal ball? ("Poppies will put them to sleep. Sleeep.") Unsettling.

At some point Janice stumbled out of her room dressed like a ballerina, lauded her previous experience with ballet, and then told her assembled and quickly horrified male models to put on tights. The guys were unhappy to put on the see-through garment plus dance belt, except of course for the ever agreeable Danny Nunez, who will do whatever the job requires. He mentioned that he is used to being naked a lot on the show. He knows he can't help being an anatomically correct Cuban Ken doll whose pants everyone wants to unsnap as soon as they take him out of the package.

Comment: The recently introduced blurring of the butt shots is treating the audience as if they were children. JDMA is an adult show for adults that want to see some glimpses of uncovered dude tang. The more gratuitious the better. We should be allowed to see an unexpurgated version somewhere, if not the tv then on the web.

After the boys were suitably attired. Janice showed them to Jonette Swider, a ballet teacher, who would be giving them instruction on the fine points of ballet, which is to say how to show off your manhood while simultaneously losing it. She had them stretching and squatting and leaping with their legs split and pointing their toes in strange positions. The scene was brief but long enough to notice that Payton Brady's backfield in motion is quite a sight and to notice with Paul Vandervort that tights come in child size.

At the end of the exercise Jonette selected J.P. as the best participant and Payton as the worst. Given their particular personalities and views of ballet, both were happy with their ranking.

Janice told Danny, Payton, and J.P. to move into the house immediately to help Danny and Payton to book jobs and for J.P. to act as a role model for the younger associates. They were all happy to get the order, but Danny and Payton quickly found out this silver lining had a dark cloud with it, namely having to be around more with nasty, ugly Gabe (Janice's make-up "artist").

To have a little fun, former football players Danny and Payton tossed a few rolls of toilet paper back and forth in lieu of a real ball. Bitch queen Gabe acted as if this was any of his business and while spread out on a sofa with his wanky teeth and flabby belly exposed started criticizing the waste of the rolls and connected it to an implication that Danny's parents were unfit. Now I don't know Gabe's background, but he has always appeared to me like the worst kind of repulsive, smelly trailer trash, so maybe his family couldn't always afford toilet paper and seeing rolls wasted brought back an unpleasant memory to him. Nevertheless, he should keep his mouth shut around his superiors and not make clear what a loathsome creature he is.

Danny and Payton tried to be polite about it, but Gabe's hate filled invectives were bad enough that Payton had to eventually reply in kind . Janice overhead only Payton's comment and asked him to leave, not realizing that Gabe had been the one responsible for the turmoil. Once Janice found out that Gabe had called Payton a redneck, she gave Gabe a good slapdown, which caused Gabe to storm out of the house. Let's just hope he moves back to skankville and stays there permanently.

Buddies Danny and Payton moved their stuff in and went looking for sleeping quarters. Payton had said he loved the thought of being in a big house in a big bed. (Cue the Southern, laid back version of "Wouldn't it Be Loverly?") Chandler thought there was a pair of bunks in his room where Janice asked who was the top and who was the bottom, even though it is clear that they are both tops (as well as Janice who said "me too.") It was not meant to be though as they found the bunks were spoken for so they turned an alcove in the living room into their private VIP clothing-optional gentlemen's club. I want on that guest list.

Janice Dickinson And Faux Drama

In season four, episode two of The Janice Dickinson Modeling Agency, it was all about the instigation of faux drama with forced friction between new models and returning models. It's a predictable ploy used on the series and it's probably played out by now. Long-time viewers know that by the end of the season, or at least by the start of the next one, everybody will be model buddies and one big happy PTSD family, so it's not worth investing interest in these little tiffs.

The gimmick of this season is the use of group living for the cast in a "model house", ala Big Brother, Real World, etc. Janice herself plays housemother, which makes the house sort of a cross between the Playboy mansion and a minimum security psych ward. Ostensibly, the purpose of the house was to give Janice Dickinson the opportunity to spend more time with her models, shaping them and keeping them focused. In reality, the concept was used to give the writers inherently more potential story lines to put together. The models, realizing that the house was where the stories and camera time were going to be based, all really wanted to stay within its limited confines. As terrible as it would be to have Janice on their back 24/7, they definitely wanted to be part of Madam Janice's little fame-whore house.

At the end of the first episode, the returning models were incensed to learn that only new models had been picked to live in the house. Only J.P. Calderon, the impossibly benevolent, good-hearted conscience of the agency, said he he was happy for the new models getting to live there. He indicated that he was blissfully ignorant of the anger of the returning models. Question: why are the gay characters on basic cable and network tv usually saints? When can we have gay super s|uts whoring with every drunken straight football player turned model?

It was understandable that the new models would need the most attention, so although I can understand that living in the house could be considered a bonus, it really was intended to be like remedial summer school and as such, anybody not forced to live in the house should have felt good that Janice considered them not needing the extra attention.

Janice pointed out that those not living in the house are still in her agency. She let them how much she still cared for them by saying, "I love each and every one of you. Shut the f*** up and trust me." She's so sweet. Lord love her.

The puke in the group that doesn't deserve any loving is Christian Prelle, who mocked Martin Ritchie's speaking ability. This was a new low for Prelle, lower than the repulsive behavior he showed last season before the PETA rally. Thankfully, Prelle got deservedly slapped by Janice.

To get all the models together, Janice threw a party. Everyone seemed to have a good time despite seeing Sorin Mihalache's mustache and sad little hat. At the party Janice announced that she had picked Maurice Townsell to move into the house. She explained that she hoped his manliness would rub off on the "effeminate" models. She went on to say that she meant it literally, describing some sort of weird, male model marking of territory where "he's going to rub his manly, manly, manly, all over the place." Not in, just over, sadly.

Strangely, Janice then wanted all of the models to cross-dress to show that they could portray different characters. This seem to defeat her purpose for bringing in Maurice as his female persona was unnervingly on target, looking like a $20 street prostitute. Martin, it should be noted, looked terribly sweet as a coquettish, naughty Texas housewife.

Getting down to work, the first casting was for Nicolita Swimwear. The company needed one of the girl models to be the face of Nicolita for the season and the finalists for the part who were selected to do a test shoot were Traci Moslenko, Polina Tretiakova, and CC Fontana. Chandler Maness was also selected, to be the man prop.

The shoot employed a very classy, classic look that I love, like Italy in the fifties. Traci Moslenko's face and hair looked real good, but the featured photo made her look like she had a beer gut. Polina Tretiakova's style just didn't fit the genre. CC clearly had the best photo of the women. Very sexy. Chandler Maness had the best look overall, looking fantastic in a Ivy League look. His one problem was his arm tattoo. It needs to go or have some body makeup on it.

CC had shown up late to the shoot because of her period. When Janice found out about it, she was very angry. Hearing it was because of menstruation, Janice asked CC, "Do you not know every 28 days that you have a blood bath downstairs?" Hearing this word picture of CC and her monthly flash flood disaster was a bit much, but probably better than seeing Janice hurl tampons at CC, shouting, "Plug it up! Plug it up!"

During the shoot, Janice met Anna Babbitt, Traci's manager for acting. Anna explained that she was representing Traci for TV and film. Janice asked, "What kind of film, porn?" Anna replied, "Well, she's going to be in features... soon." (As every other woman in LA is eventually promised.) Regardless, it's an great inspiration for having fun at work. I've started to bring a friend of mine to every business meeting, explaining that he's my agent for TV and feature films. It's a break from my usual intermittent but frantic waving away invisible bugs.

The second casting of the episode was for Kentucky Denim Jeans. Liat Tala, the owner, was looking for some male models (who isn't?) with a few females for background. The men had to try on jeans, which gave us a good number of crotch shots. Sweet! Christian Prelle, Martin Ritchie, Brian Kehoe, Dominic Figlio and Chandler Maness were selected. It will be hot to watch the photo shoot in the next episode.

Janice Dickinson In The Big Mother House

In season four, episode one of The Janice Dickinson Modeling Agency, it was all about the usual addition of new models and this season, for the first time, the usage of a common abode for Janice and her models. At the start of a new season Janice needs to replenish her stock and that has been a customary part of the show. The use of a single living environment is a significant change to the dynamics of the show (although it is a common element in reality TV) and it will be interesting to see how it affects the drama.

To start things off, Janice Dickinson gave an introduction for the season, bringing her viewers up to date on her partnership dissolution with Peter Hamm. She explained that the separation required a division of the assets and that she was able to keep most of her favorite models. Her list of them by name was J.P. Calderon, Crystal Truehart, Brian Kehoe, Traci Moslenko, Dominic Figlio, Christian Prelle, Payton Brady, Danny Nunez, CC Fontana, and "several others". I don't know how the several other models felt by this pronouncement (especially Michael Anderson who was shown as she spoke the words), but if I were listed in "others", I'm not sure I would consider myself actually to be one of her "favorites".

What can we learn from her enumerated list? One thing is that 7 of the 9 are men, which buttresses my previous statement that predominantly the male models should be shown on the television show, with maybe a few video clips of the women tagged on to the show's web site. However, if Janice were to expand her yet-to-be shown plus-size division by adding a drag queen subdivision, that could be worth watching on TV also. It would be a hoot just to see them all come to every casting dressed and made up to look like Janice.

Janice also asked the question, "And what would the agency be without the ever-loving Sorin [Mihalache] on security duty?" Hmmm, let me think about that. More dignified, more respectable, less bizarre? Is one of those the right answer?

The selection of the new models was done at a VIP (pre-selected) casting call at Siren Studios in LA. Janice Dickinson bounced into the room exuberantly happy to see the prospects. She modestly tried to cut the thunderous applause that the applicants gave at the sight of the legendary world's first supermodel. The camera didn't show if anyone swooned at the experience but I would imagine at least a few people would have had to when received into her presence. Needless to say, Janice looked stunning with her perfect figure and timeless beauty. Her taut boobies stayed perfectly in place.

Janice stated, "All I need is one thing: that capital I-T, that solid it thing that no one else can see but me." Here I have to disagree with Janice. When I'm out hunting down that solid it thing on a Saturday night, I want it to be visible from across the street, preferably hidden by nothing more than a pair of lycra bike shorts.

Sentimentally, my favorite Janice line was "Boys, boys, boys, I need you to do one thing: take your shirts off!" I will leave for another time the story of when I used that same line on a pair of Mormon missionaries.

Here are the models she selected:

• Chandler Maness was concerned about how well he would do considering the competition in the room. He had nothing to worry about although he almost escaped Janice's eye. He shows a lot of personality for the camera in his expression.
• Martin Ritchie is a model who is deaf and looks so cute and sweet. Janice gave him a big hug, which I think a lot of viewers are going to want to do also. His interpreter Jerry Ferris is modelicious himself.
• Paul Vandervort is a diminutive model who has the face and teeth to do okay, but the chest in the side view is looking like a B cup and I just don't find that flattering on a man. When building definition in the pectorals you have to know when to stop, although I realize the temptation to keep going past the limit of where it looks good. It's especially not good on a smaller frame. It makes the proportions out of whack.
• Gavyn Michaels to me looks reminiscent of Paul Rudd.

At some point Janice Dickinson got it in her head that to enhance her oversight of her models she needed to open a "model house" where her best models would live with her and she would keep a close eye on how they prepared themselves to be top-notch model material.

She arranged to rent a suitably sized house and was excited with most of it until she saw her master bedroom. She decided it had to be remodeled before it could be considered habitable. Her choice of decorator was Christopher Ciccone. I have to say this for the sake of completeness: "Madonna's brother", but really anyone who is watching JDMA should already know that. Janice told him that she basically had no money to pay him, so then it's not clear if the lack of money or Chris' (or at least his assistants') lack of taste is what led to the result: a cherry red, Dutch whore house design. I hope Janice was just being polite when she compared the bedroom to the virgin white remainder of the house: "This is more me than the rest of the house." Okay.

In a closet enclosure in her bedroom, it was revealed that it contained a big display monitor connected to many security cameras throughout the house. It sounded too much like a mixture of JDMA with Big Brother and I hope this is not jumping the shark.

To fill the house Janice first "summoned" what she called her "pre-existing" models, as in "pre-existing disease". That didn't sound so good for what might lie ahead. The returning models brought their suitcases and given the circumstances thought they would be living there for the duration of the season's taping. Only the highly astute Kehoe realized that there were too few beds in the house for all of the returning models to use, much like Rose noticed about the number of lifeboats in Titanic. Again, not boding well.

Janice personally brought her bevy of newbies to the house and displayed them to the returning models. She then unveiled the surprise that only fifteen out of the combined total of new and returning models would actually be chosen to live in the house. The returning models felt confident about being selected and so had no problem partying near if not exactly with the new models at the house until the final selection was made. J.P. Calderon arrived late and after being loved by all the returning models he saw the separation between new and old and went out of his way to introduce himself to the new ones. Kehoe was Keyhole to the new models, playing his specified role in this production.

The client in this episode was Nicolita Sainz, a Cuban swimwear designer, who needed one female to be the new face for the company and one male model to be her admirer. You would think Danny Nunez, of Cuban descent, would be a shoo-in, but he still appears too shy and uncertain of himself when auditioning. Instead the male position went to Chandler Maness, who was noted for his expressive eyes.

In the end, Janice Dickinson ended up only choosing nine people to live in the house and they were all new models. Everybody else she threw out. The returning models were understandably angry about the decision, but if they know anything about Janice they should know that her methodology includes making models angry at their competitors so they will try harder to beat them. She does it like prepping pit bulls before a dog fight, but for these doe-eyed models it's really like rubbing a puppy's nose in their own dookie - it has no idea what's going on.

Janice Dickinson And Martin Ritchie

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